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	<title>Galleries in Paris &#187; A.C.M</title>
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		<title>A.C.M. &#8211; VIDAL</title>
		<link>http://www.galleriesinparis.com/exhibitions/a-c-m-vidal/</link>
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		<pubDate>Tue, 16 Apr 2013 10:55:11 +0000</pubDate>
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		<category><![CDATA[A.C.M]]></category>
		<category><![CDATA[VIDAL]]></category>

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		<description><![CDATA[Born in 1951 in Hargicourt (Aisne, France), A.C.M. entered the Fine Arts School of Tourcoing, which he dropped out of five years [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>Born in 1951 in Hargicourt (Aisne, France), A.C.M. entered the Fine Arts School of Tourcoing, which he dropped out of five years later. He then destroyed all his works.<br />
In the mid seventies, saved by his encounter with Corinne, he resumes his artistic work: pebbles, bark, pieces of wire are being picked up in the fields then listed and assembled. A.C.M. give his objects another life, they become gradually stand-alone sculptures.<br />
From the nineties, he develops a new typology of works. After selecting broken parts from old typing writers, alarm clocks, transistor radios or electronic pieces, A.C.M. transforms them: cleaning, sanding, acid bath, oxidation.<br />
He then creates architectures, which convey at the same time a sense of monumentality and of fragility, like miniature hyper structures. Béatrice Steiner names him “an architect of the emptiness”. Whereas Corinne Marié refers to him as a manipulator of effects, creating the crumbling, the disaggregation, to engender poetically a past, a history, some roots.”<br />
These cathedrals of another world offer a multitude of facets, likes labyrinths made of mirrors</p>
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