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	<title>Galleries in Paris &#187; Alberta Pane Gallery</title>
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		<title>Kwan &#8211; ALBERTA PANE</title>
		<link>http://www.galleriesinparis.com/exhibitions/kwan-alberta-pane/</link>
		<comments>http://www.galleriesinparis.com/exhibitions/kwan-alberta-pane/#comments</comments>
		<pubDate>Sat, 25 Mar 2017 10:14:29 +0000</pubDate>
		<dc:creator>Galleries</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[75003 Paris]]></category>
		<category><![CDATA[Alberta Pane Gallery]]></category>
		<category><![CDATA[Gayle Chong Kwan]]></category>

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		<description><![CDATA[ANTHROPO-SCENE / Alberta Pane gallery is pleased to present Anthropo-Scene a new exhibition by the British artist Gayle Chong Kwan. / The [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><em><strong>ANTHROPO-SCENE</strong></em></p>
<p><span style="color: #ffffff;">/</span></p>
<div data-canvas-width="35.8">Alberta Pane gallery is pleased to present <strong><em>Anthropo-Scene </em></strong>a new exhibition by the</div>
<div data-canvas-width="290.30166666666673">British artist Gayle Chong Kwan.</div>
<div data-canvas-width="91.90666666666664"><span style="color: #ffffff;">/</span></div>
<div data-canvas-width="71.79533333333333">The title <em>Anthropo-Scène </em>refers to a 2015 exhibition at the Bloomberg space in London as part of the program &laquo;&nbsp;The Homecoming”. The Homecoming selected four artists’ projects exploring the story and the architecture of the city of London.</div>
<div data-canvas-width="277.48999999999995"><span style="color: #ffffff;">/</span></div>
<div data-canvas-width="211.97500000000002">Gayle Chong Kwan&rsquo;s ‘Anthropo-scene&rsquo; is a multi-layered installation that explores the built environment, strata and waste, in relation to the City of London.</div>
<div data-canvas-width="582.0766666666673">Fantastical large wall-based photographic panoramas are created from London&rsquo;s</div>
<div data-canvas-width="750.1716666666672">lost buildings and contemporary waste. Installations in the gallery recall stacks of</div>
<div data-canvas-width="330.5033333333333">archaeological drawers. The photographic and sculptural elements range in ratio</div>
<div data-canvas-width="753.4516666666673">and scale. Chong Kwan brings together contemporary, historic and archaeological</div>
<div data-canvas-width="995.5583333333333">objects and materials, juxtaposing excavation and construction, ruin and</div>
<div data-canvas-width="87.33666666666666">renewal, and confounding their chronology in order to question what we leave to posterity.</div>
<div data-canvas-width="815.6116666666674"><span style="color: #ffffff;">/</span></div>
<div data-canvas-width="815.6116666666674">Chong Kwan explores different landscape ‘scenes’ in terms of staging the view,</div>
<div data-canvas-width="770.5793333333331">as well as the place, where an action or event occurs. In 2002, Paul Crutzen, the</div>
<div data-canvas-width="57.93600000000001">Nobel Prize-winning chemist, suggested that due to increased human population</div>
<div data-canvas-width="826.273333333334">and economic activity we have left the Holocene and entered a new geological</div>
<div data-canvas-width="926.7866666666667">epoch. In 2008, a proposal was made to the Stratigraphy Commission of the</div>
<div data-canvas-width="822.4816666666674">Geological Society of London to make Anthropocene a formal unit of geological</div>
<div data-canvas-width="-411.0566666666669">epoch division. This shift in the relationship between humanity and nature</div>
<div data-canvas-width="905.1893333333335">further complicates distinctions between artificial and natural, and real and</div>
<div data-canvas-width="422.18">imaginary-questions raised by Chong Kwan‘s installation.</div>
<div data-canvas-width="235.99066666666667"><span style="color: #ffffff;">/</span></div>
<div data-canvas-width="582.9566666666668">The works in ‘Anthropo-scene’ assert the importance of waste in giving measure</div>
<div data-canvas-width="826.4783333333339">to our lives. Waste is not just ‘matter out place’, a definition first given by Lord</div>
<div data-canvas-width="627.8466666666668">Palmerston in the mid-nineteenth century, it forms a denigrated, subordinate</div>
<div data-canvas-width="376.83866666666654">position within a spatial taxonomy dominated by binaries–clean and dirty, wanted and rejected, inside and outside.</div>
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