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	<title>Galleries in Paris &#187; American Landscape</title>
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		<title>BUBLEX &#8211; VALLOIS</title>
		<link>http://www.galleriesinparis.com/exhibitions/bublex-vallois-3/</link>
		<comments>http://www.galleriesinparis.com/exhibitions/bublex-vallois-3/#comments</comments>
		<pubDate>Tue, 26 Oct 2021 16:08:45 +0000</pubDate>
		<dc:creator>Galleries</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Alain Bublex]]></category>
		<category><![CDATA[American Landscape]]></category>
		<category><![CDATA[Galerie GP&N VALLOIS]]></category>
		<category><![CDATA[galerie Vallois]]></category>

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		<description><![CDATA[An American Landscape II What constitutes an American landscape? The phrase conjures wide-open spaces, iconic natural wonders and wholesome heartland towns across [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><strong>An American Landscape II</strong></p>
<p>What constitutes an American landscape? The phrase conjures wide-open spaces, iconic natural wonders and wholesome heartland towns across the USA. One might think of Thomas Cole’s Hudson River School paintings, Ansel Adams’s photographs, John Ford’s Westerns, or even advertisements for Marlboro cigarettes and GMC trucks…<br />
A Sylvester Stallone action movie from the 1980s, maybe not. However, as Alain Bublex demonstrates with An American Landscape, the backdrop for the original John Rambo movie (First Blood, 1982) is indeed a reflection, celebration and perpetuation of a particular vision of America’s landscapes — one that is heavily informed by art history.</p>
<p>Extract from Mara Hoberman’s text for the press release</p>
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