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	<title>Galleries in Paris &#187; Cally Spooner.</title>
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	<description>Best Galleries in Paris</description>
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		<title>SPOONER &#8211; GB Agency</title>
		<link>http://www.galleriesinparis.com/exhibitions/spooner-gb-agency/</link>
		<comments>http://www.galleriesinparis.com/exhibitions/spooner-gb-agency/#comments</comments>
		<pubDate>Wed, 07 Jul 2021 15:05:50 +0000</pubDate>
		<dc:creator>Galleries</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[75003 Paris]]></category>
		<category><![CDATA[Cally Spooner.]]></category>
		<category><![CDATA[gb agency]]></category>

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		<description><![CDATA[At the center of Fifty Billion Hectares of Time is a film. Shot in a single first take it captures a choreography for [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>At the center of <em>Fifty Billion Hectares of Time</em> is a film. Shot in a single first take it captures a choreography for a dancer and a cinematographer suspended in a state of heightened activity and waiting. A violent beep, marking the passing of time, replaces the sound of their breathless and exerted bodies. An unmanned audio recording taken from a radio microphone worn by the dancer fills the space, disjointed from the image. Captured sonic detritus from New York City’s airwaves, and interference from radio waves surrounding the location of the shoot, shape and carve out an acoustic imprint of the dancer and cinematographer’s bodies. On plinths, fresh pears avert their own mortality and decay. Meticulously arranged, rearranged then replenished, they never fall apart. A score, instructions on how to dance a still life in the space of a single breath, is presented in plastic sleeves mounted to the walls. Elsewhere, another pear, this one painted, has fainted.<br />
Staged through technical, literary and metaphorical proxies, the exhibition presents the twenty-first century human body as being both vital and corpse-like. Equally, it asks how the same body may evade capture, circulation and compression by recasting itself as a preparatory, durational reality.</p>
<p>Firmly grounded in philosophical training, Spooner’s work is generated through writing, unfolds as performance and arrives as installation, sculpture, drawing, film and sound. Considering the effects of performance on the contemporary condition, her work responds by incorporating duration and rehearsal as modes of resistance to corporate, digital and performative climates. Born in 1983 in the UK, Spooner is based between Turin (IT)  and London (UK).</p>
<p><em>Fifty Billion Hectares of Time</em> includes dancing by Magdalyn Segale; cinematography by Charles Billot; sound editing and mixing by Tom Sedgwick and a special thank you to Laura Mclean-Ferris, for her writing on still life that underpins all.</p>
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		<title>ACTIVITY OF MATTER &#8211; GB Agency</title>
		<link>http://www.galleriesinparis.com/exhibitions/gaston-dreyfus-jean-fournier/</link>
		<comments>http://www.galleriesinparis.com/exhibitions/gaston-dreyfus-jean-fournier/#comments</comments>
		<pubDate>Tue, 10 Dec 2019 12:17:43 +0000</pubDate>
		<dc:creator>Galleries</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[75003 Paris]]></category>
		<category><![CDATA[Cally Spooner.]]></category>
		<category><![CDATA[Deimantas Narkevičius]]></category>
		<category><![CDATA[Dominique Petitgand]]></category>
		<category><![CDATA[Dove Allouche]]></category>
		<category><![CDATA[Elina Brotherus]]></category>
		<category><![CDATA[gb agency]]></category>
		<category><![CDATA[Jiri Kovanda]]></category>
		<category><![CDATA[Julius Koller]]></category>
		<category><![CDATA[Mac Adams]]></category>
		<category><![CDATA[Mark Geffriaud]]></category>
		<category><![CDATA[Pak Sheung Chuen]]></category>
		<category><![CDATA[Pia Rönicke]]></category>
		<category><![CDATA[Pratchaya Phinthong]]></category>
		<category><![CDATA[Robert Breer]]></category>
		<category><![CDATA[Roman Ondak]]></category>
		<category><![CDATA[Yann Sérandour]]></category>

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		<description><![CDATA[The exhibition Activity of Matter, title of a work by Július Koller, explores the limits that artists define to circumscribe their fields [&#8230;]]]></description>
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<div>The exhibition <i>Activity of Matter</i>, title of a work by Július Koller, explores the limits that artists define to circumscribe their fields of experimentation. A physical or mental space, an observation surface or an unknown territory, these interstices are an attempt at permanent renewal. Like an alchemist, the artist wanders in fictional spaces where each work defines its perimeter of potentialities and produces a hypothesis while underlining its questions.</div>
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